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Preserved flowers encased in resin are appearing in furniture, lighting and hospitality interiors, according to a Livingetc report on the design trend. The report links the renewed interest to nostalgia and a desire to preserve natural forms, while noting the style has historical roots and no quantitative evidence of how widespread the revival is.
Preserved flowers set in resin are appearing in furniture, lighting and hospitality interiors, according to a Livingetc report that traces the material’s renewed visibility across recent design projects. The examples range from a botanical-themed bar counter at a new Paris herbal infusion house to work by designers including Marcin Rusak, bringing a once-retro decorative technique back into view.
Livingetc describes encounters with floral resin in several settings, including Apoticari’s La Tisanerie, a herbal infusion house that opened in Paris’s Haut-Marais in September. Its floral-enriched resin bar counter supports the venue’s botanical concept, the report says. The article identifies the address as the city’s first dedicated herbal infusion house, a description attributed to the publication rather than independently verified in the supplied material.
The report also points to furniture and lighting made with resin, including the Gelo side tables by Monologue and Paraforma. Romain Casella, founder and director of creative and communications agency MAY, says the cast pieces have varied finishes and colors. He also cites work by Dutch designer Sabine Marcelis and Austrian designer Laurids Gallée, whose Node 01 light uses resin to hold light and material in suspension.
Botanical artist and designer Marcin Rusak is taking his Flora Herbarium Clear Amber 152 to Salon Art + Design in New York, scheduled for November 4–8 at the Park Avenue Armory, according to the report. Livingetc says floral epoxy designs originated in the 1940s and were revived in the 1980s; it presents their current return as part of a broader interest in amber-toned objects and decorative interiors.
Why Designers Are Preserving Flowers
Floral resin turns flowers that would otherwise fade into fixed elements of an object. That gives the material a practical decorative role, but the designers and observers quoted in the report also attach meaning to the act of preservation: resin can make a natural specimen feel like a record of a particular moment.
Casella connects the appeal to nostalgia and to the reassurance of seeing something held still. Rusak, meanwhile, frames flowers as carriers of memory and information about how people relate to nature and beauty. Those are interpretations from the practitioners, not measured explanations for consumer demand. The examples nevertheless show how the technique is being used across different formats, from a hospitality counter to tables, consoles and lighting.
For readers following interiors, the development signals renewed attention to decorative objects that make materials and craftsmanship visible. It also places floral resin alongside a wider, publication-described interest in amber colors and expressive single-piece gestures. The report does not establish how many designers or buyers are adopting the look, but it documents its presence in several current projects and upcoming design events.
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A Revival With Older Roots
Livingetc places floral epoxy furniture’s origins in the 1940s and says the style returned in the 1980s. Its latest visibility is described as an unexpected comeback, rather than a newly invented process. The article connects that revival to contemporary interest in amber-toned design, although it gives no market data or chronology showing when the current increase began.
The report’s evidence is a selection of projects and professional observations, not a survey of the interiors industry. It mentions Apoticari’s September opening in Paris, design work seen during Frieze Week, and Rusak’s planned presentation at Salon Art + Design in November. Livingetc also cites its own Style Pulse S/S27 report, which names “One Decorative Gesture” as a design moment expected to influence interiors; that forecast is the publication’s assessment.
““I think it’s a mix of nostalgia, which is all around us right now, from interiors to film to fashion, and something much deeper.””
— Romain Casella, founder and director of MAY, speaking to Livingetc
How Broad Is the Revival?
The report does not provide sales figures, production totals, consumer surveys or other data to measure how widespread floral resin has become. Its examples show the material in a handful of selected projects, but cannot establish whether this reflects a broad market shift or a cluster of work noticed by the writer.
It is also unclear how long the renewed interest will last, how the materials are sourced, or what environmental considerations apply to specific resin products. The article offers designers’ views on the material’s emotional and aesthetic appeal, but no independent assessment of its durability, environmental impact or long-term commercial demand.
Upcoming Design Showings
The next dated event in the report is Salon Art + Design, scheduled for November 4–8 at New York’s Park Avenue Armory, where Rusak plans to present Flora Herbarium Clear Amber 152. The report also lists Sabine Marcelis’s first solo museum exhibition, “Sabine Marcelis: Light and Color,” at Zurich’s Museum für Gestaltung, running from October 30, 2026, to April 4, 2027.
Those showings may provide further examples of how designers are working with resin, flowers and light. Whether the technique expands beyond the featured studios and interiors remains unestablished; the supplied report offers no later sales or industry data.
Key Questions
What is floral resin?
Floral resin is a design technique in which flowers or other botanical material are set inside resin, forming part of an object such as a table, counter or light. The Livingetc report uses “floral epoxy” for this kind of work.
Where is floral resin appearing in the report?
The examples include the resin bar counter at Apoticari’s La Tisanerie in Paris, Gelo side tables by Monologue and Paraforma, and lighting by designers cited by the report.
Is floral resin a new design technique?
No. Livingetc says floral epoxy designs date to the 1940s and were revived in the 1980s. The report describes the current visibility as a renewed return, not an invention.
Why do designers say the material appeals to people?
Casella links it to nostalgia and the feeling of holding time still, while Rusak describes preserved flowers as potential records of people’s relationship with nature and beauty. These are the designers’ interpretations, not findings from a consumer study.
Is floral resin now a widespread interior trend?
The report documents several projects and describes growing visibility, but provides no sales data or industry-wide measurements. The scale and staying power of the revival are not yet clear.
Source: livingetc.com
